First Look: LOVE Issue #4” y 11 mas |
- First Look: LOVE Issue #4
- Chanel Plus Surfing Equals Gorgeous Waterproof Watch
- Are There Really 937 Looks in Harper’s Bazaar This Month? Long Nguyen Does a Recount
- Snap Poll: Which Target x Simon Doonan Halloween Costume Will You Wear?
- Lippe Taylor Needs Beauty Interns!
- Street Style: Katrina’s Romper Rules
- Brit Pop Takes on a Whole New Meaning in Pop Magazine Winter 2010
- Hurrah! Gap’s Affordable New Work Pants Actually Fit
- Fashion News Roundup: Anna Talks, Kimora Leaves Baby Phat, & Knockoffs Make You Lie
- Austin Fashion Week Wrap-Up: Long Live The Boudoir Queen
- How I’m Making It: Whistle & Flute
- We Want to Know: Who is @Fashionweeknyc?
| Posted: 24 Aug 2010 06:30 PM PDT
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| Chanel Plus Surfing Equals Gorgeous Waterproof Watch Posted: 24 Aug 2010 03:00 PM PDT
Waterproof to over 300 meters, the J12 Marine is inspired by the ocean and is represented by surfer Laird Hamilton, no doubt an unlikely match for luxury brand Chanel. Even though the duo is completely out of the blue (pun intended), the Fashionista staff is loving these watches. Available in all white, all black, and black and blue, the J12 Marine combines Chanel’s signature sophistication with a sporty edge. And it’s far more practical for everyday life, at least for klutzes like me who run the risk of dropping everything into the sink or shower. Maybe the J12 Marine will inspire Chanel-philes to take a page out of Laird Hamilton’s book and get off their yachts and into the water. We promise it’s fun!
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| Are There Really 937 Looks in Harper’s Bazaar This Month? Long Nguyen Does a Recount Posted: 24 Aug 2010 01:58 PM PDT
Last night, after a long drive from Washington, DC–where I was visiting my friend Robin Givhan–and just prior to the start of the big rain storm, I went shopping for groceries with another friend at Trader Joe's new mammoth store on 6th Avenue and 21st Street. On the way back, we stopped by Universal News. On the floor and wall near the entrance were the new coveted September issues, each fighting for attention. Size is what really matters for all magazines. Because the marketing budgets are usually bigger in the fall than in the spring, these September issues indicate not only of the health of any particular publications, but the direction of This season, I sense that fashion brands have become fiercely competitive, despite the weak economic outlook. Advertisers are spending again. From the perspective of a small and independent magazine, I can say that glossies, indies, and online publications all are relevant in different ways, which means advertisers need to reach their audience through every avenue. But back to the glossies. "That's a lot of looks," my friend pointed to the Harper's Bazaar September issue, which boasts 937 New Looks on one of its Jennifer Aniston covers. "True, but fashion is about choices and I think they’re trying to convey to readers the breadth of what exists each season," I told her. However, I have always wondered how each publication comes up with these numbers. I am sure they’re meant to impress readers, particularly those buying magazines from newsstands. Vogue, Elle and InStyle all touted the total amount of pages their Harper's Bazaar has double covers of Jennifer Aniston with one cover says “937 New Looks,” Marie Claire’s Mary Kate Olsen cover includes “516 New Looks for every Body & Budget,” and What standards are used to count the total of looks? "Pages are total for issue—and we are fine that our readers look at the ads for ideas. We know from research that in fashion magazines the ads, particularly in the big fashion issues, are important information givers to the reader; they are quite aware it's an ad. If you look at the signatures it's obvious it's total book size we're referring to," Robbie Myers, the Editor-in-Chief of Elle, told me via email as she was out-of-town. "Editorial items are hand counted every issue when we use that number. The ‘must have’ line is implied… Which is to say the reader is quite aware that there are also many, many other items that are not mentioned—if we mentioned every item there would be hundreds of words on the cover. This is such standard practice among all in our set; I've seen it for the 20 years I've been in the business."
Editorial: each model/celebrity shot on full page counts as one look; Hair, makeup and accessories are part of one look unless alternatives suggestions for hair, makeup and/or bags, jewelry are offered; two models one page count as two looks; each runway photo counts as one look; each still life counts as one look; on Table of Conent pages, each item counts as one look if the item is credited; 10 celebrities on one page counts as 10 looks only if the looks are credited; for beauty each suggestion is a look – on one page, six lipsticks items are six looks if the items are credited. Here's the result from three separate counts by a three person team. Glamour: 335; 319: 334 = average = 329. A difference of 258 from the 587 looks the magazine reported, a 44% difference. Marie Claire: 349; 341; 360 = average = 350. A difference of from the 516 looks the magazine reported, a 32% difference. Harper's Bazaar: 698; 676; 705 = average = 693 A difference of 244 from the 937 looks the magazine reported, a 26% difference. Perhaps our recount may have missed certain items that the magazines counted in their tabulations. If I recall correctly, the trend for putting the amount of looks on the cover tag lines is about a decade old. In the fall 2001, Bazaar was among the first high fashion magazines to use a number of looks on its cover–the November 2001 issue boasted “440 New Looks.” While Vogue occasionally used a very modest count of looks–like “93 sensational looks” in October 2002, Vogue's September issues normally used the total page count instead of look count. But the gold medal goes to Bazaar where the September 2008 has “1,207 New Looks.” Then again, September 2008 was the last month in the distant memory of a plentiful era.
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| Snap Poll: Which Target x Simon Doonan Halloween Costume Will You Wear? Posted: 24 Aug 2010 12:30 PM PDT
Which one will you choose for October 31? Click through to peruse the options.
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| Lippe Taylor Needs Beauty Interns! Posted: 24 Aug 2010 12:18 PM PDT
* Tracking media coverage Compensation: School credit but not required. Requirements: * Currently enrolled in undergraduate/graduate studies (preferably an upper-classman) Applicants can send their resumes/cover letters to Lauren Marfoe: lmarfoe@lippetaylor.com. For more information on Lippe Taylor please visit Lippetaylor.com.
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| Street Style: Katrina’s Romper Rules Posted: 24 Aug 2010 12:00 PM PDT
Age: 15 Occupation: Model Agency: Next Where are you from originally? Toronto What is the most prominent color in your wardrobe? Grey Do you prefer to wear flats or heels on your days off? Well I was just in heels and I think heels look great, I strive to wear them all the time. But, realistically I'd have to say flats. What is your favorite cereal? I love raisin bran, it reminds me of my childhood because I ate it growing up, but every morning I have Flax Plus Flakes. Who is your favorite Disney Character? Minnie Mouse What is your number one beauty product? I love the Vichy Aqualia Thermal Cream. Where are you headed now? I'm going shopping with my roommates.
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| Brit Pop Takes on a Whole New Meaning in Pop Magazine Winter 2010 Posted: 24 Aug 2010 11:10 AM PDT
Since Dasha Zhukova’s appointment as EIC, Pop has taken an artsy tone, its Summer 2010 cover shot by Richard Prince. The strange coincidence is that both Prince and Murakami gained major fashion world fame because of their collaborations with Louis Vuitton. Maybe Marc is consulting on these covers…. Next season, I’d recommend super-famous-in-real-world-moderately-famous-in-fashion-world-celeb Julian Schnabel for their next cover. Because honestly, the Palazzo Chupi would be the perfect backdrop for a summer spread.
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| Hurrah! Gap’s Affordable New Work Pants Actually Fit Posted: 24 Aug 2010 10:00 AM PDT
Yesterday, Gap sent me a pair of the slim crop pants to try on for size. They retail for $49.50. (There are seven styles in total, including a traditional wide leg trouser, boot cut, skinny, boy fit, and a straight leg.) The slim crop style is great for me. For one, I’m 5′8″ but have pretty short legs: a 31″ inseam is my ideal. I also prefer tapered or straight pants. They just suit me better. What’s more, I’ve been meaning to find myself a pair of slim, cropped trousers since Isabel Marant sent them down her runway last season. (They’d look perfect with my elusive Sigerson Morrison kitten heels.) But truthfully, pants are something I don’t usually go looking for on the American high street. The problem? I’m not very “curvy,” as brands like to say, meaning that my hip to waist ratio isn’t very high. I pretty much have zero hips and zero butt. But my waist isn’t tiny. Which means that in general, when I shop at a mid-level retailer where most of the clothes are designed for women with hips, things end up fitting in the waist and sagging in the other areas. So contemporary and designer pants–which are typically cut straighter–are worth the investment for me. (Speaking again of Isabel Marant, I bought a great pair of virgin wool trousers from her last fall–they were worth the investment because they actually look good on me.)  Gap's trouser style. Anyways, these Gap trousers pleased me. No gaping at the hips, no sagging in the butt. In fact, they actually give me a bit of a curve, which is, to be sure, not an easy task. The good news? If you are blessed with a tiny waist and ample hips, Robinson has created cuts to fit you, too. The curvy and the trouser styles, for instance, will flatter those bodies in a way they could never flatter mine. But what I might like best is the price: $50-$60 for a nice pair of pants is pretty impressive. I have so many friends that are constantly on the hunt for nice “work clothes” that aren’t too dressy or too pricey. These trousers are simply great basics. I’m wearing mine today.
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| Fashion News Roundup: Anna Talks, Kimora Leaves Baby Phat, & Knockoffs Make You Lie Posted: 24 Aug 2010 09:30 AM PDT
FNO x CBS: CBS is planning a Fashion’s Night Out extravaganza hosted by Vogue’s Andre Leon Talley and Hanneli Mustaparta. It will broadcast the world’s largest public fashion show, featuring trends picked out by Vogue. {CBS} Khaki is the New Jade: Chanel will be producing special, limited edition nail polished for FNO. All three colors are variants on khaki, putting the moratorium on pastels. {Teen Vogue} Liar, Liar: Scientists at Scientific American prove that buying knockoffs makes you more likely to lie and steal. Just another reason knockoffs are not worthwhile. {Co. Design} Bye, Bye, Baby Phat: Kimora Lee Simmons has left her post as president and creative director of Baby Phat. But worry not, “Team Fabulosity” is still going strong. {WWD}
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| Austin Fashion Week Wrap-Up: Long Live The Boudoir Queen Posted: 24 Aug 2010 09:00 AM PDT  Photo by David Weaver, courtesy of Austin 360. AUSTIN–Saturday evening, the Long Center for the Performing Arts played host to the conclusion of Austin Fashion Week with a series of runway shows including Boudoir Queen, Chloe Dao and Betsey Johnson, live music by SPEAK! and Zayra, and finally, an award ceremony honoring the voter’s favorites. The evenings most impressive looks came from none other than Dawn Younger-Smith of Boudoir Queen. Known for her intricate 1920s vintage inspired frocks, Dawn has created custom items for rock star celebrities such as The Donnas, Imogen Heap, Karen Elson, and Courtney Love. Dawn began her intense love affair with the industry as a model, muse, make up artist and stylist to none other than the immortal Steven Arnold. With her hand in so many roles, it only seemed natural that Dawn eventually evolved into not only a detail oriented designer, but a copious creative director. Today, Boudoir Queen is a cohesive collection of one of a kind pieces inspired from years of cultivating and curating her amassment of vintage trims, interesting textiles and antique dolls. This influence was indisputable when viewing the Queens’ latest crop of ethereal gowns. The six dresses sent down the runway this season were much more calculated and sophisticated than anything Boudoir Queen has put out prior, and as a collection really illustrates her range as a designer.  The author wearing a Boudoir Queen dress and a hat of her own design. Photo by David Weaver, courtesy of Austin 360. Her first look, and the opening look of the award show, was a breathtaking highly structured corset dress of vintage gold lame complete with a detachable constructed collar. This was followed by a series of gossamer fairy tale vestments of filmy, free flowing chiffon and beaded embellishments. A mauve, multi-tiered, feather embellished gown brought Boudoir Queens’ show to a close and the crowd to their knees. It was a beautiful transformation of color and beauty, giving elements of the past a repurposed future. Each of the six looks were accessorized with a pair of Christian Louboutins, hand made Boudoir Queen jewelry and a custom I Love Factory head piece. [Ed. note: the hats were designed by the author, who also walked in the show!] As creative director, Dawn’s relationship to her assistant Shannon Gotshall is critical and their connection is unique. Shannon began working for Boudoir Queen as an intern through the University of Texas Textile and Apparel department. After only two months, she was made a permanent fixture at the little Austin atelier and plans to remain on board for the exciting things to come their way. They share a love of vintage treasures and have an almost telepathic understanding of the direction of the brand. When asked what Dawn would NEVER be caught wearing Shannon responded, “Dawn would never be caught dead wearing the same outfit as someone else. With her style she’s pretty good at that. She definitely pairs unlikely items and pulls it off really well. She has a fantastic eye for fashion.” Judging from her ever evolving collections, that’s a fear Dawn will never see materialized. You can shop the current collection as well as other custom pieces by visiting Shoptheboudoirqueen.com . Laurel St. Romain is a milliner and writer living in Brooklyn, NY. You can see her hats on Ilovefactorybk.com and read about her life on Alltomorrowscostumes.com.           
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| How I’m Making It: Whistle & Flute Posted: 24 Aug 2010 08:00 AM PDT  Photo by Jae-An Lee Yoon Chang is an alumnus of Parsons School of Design and, subsequently, Cynthia Steffe’s design team, where she met merchandising director Je-Won Hwang. The two soon decided to join forces to create their own line. Whistle & Flute launched in Fall of 2007 and was featured in Gen Art’s emerging designer showcase shortly after, winning the org’s best new ready-to-wear designer award. Now, the line can be found in small boutiques all over the U.S., Hong Kong and London, as well as Saks.com. However, success hasn’t come easy for the young design duo. Yoon and Je-Won spoke to us about how they’re making it on their own with the added challenge of this shaky economy. How did your line come about? Yoon: We’ve had support from our family. It’s really a labor of love right now. We are so passionate about it. What was the scariest thing about going out on your own? Je: I think whenever you leave your comfort zone and go out and try to do something different and new, it’s always scary. And who would’ve expected this economic downturn? How has that affected you guys? What is your fashion background? Yoon: I went to Parsons School of Design–I won a scholarship to go there. I also did a year abroad in Paris which was really exciting. In Paris, I got to experience a much more couture aspect of design, which was great because in the U.S., especially around then, the focus was more on sportswear and marketing. I also got to see all the couture and ready to wear shows. Who has helped you the most along the way? Je: A lot of people have been supportive and helpful along the way. There’s a misconception that people in the fashion industry are rude, and it’s so competitive, but there is actually a lot of love and support out there and we really appreciate that. What are your biggest challenges now?
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| We Want to Know: Who is @Fashionweeknyc? Posted: 24 Aug 2010 07:00 AM PDT
“Question of the Day: Who is your Favorite Fashion Designer on Twitter?” When a few reputable brands retweeted this mysterious person’s thoughts, I decided to look “her” up. A Lincoln Center rep told me that they are not affiliated with her. IMG said the same thing. According to her Twitter bio, she is an “Independent Fashion Tweetologist that Will be Streaming & Tweeting Live from the runway during SPRING 2011 Fashion week.” Tweetologist. Fascinating. Anyways, what’s even more fascinating: This person has over 24,000 follows. So she must be legit in some capacity or another. Right? What I want to know is: Who are you? And are we friends?
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Fashionista contributor Long Nguyen is the co-founder/style director of 
I picked up Glamour, Bazaar and Marie Claire to perform a manual recount to see if we can come up to the number of looks on each magazine's signature. From the cover signature tag line, I have to assume the magazines only count the looks suggested from its editorial pages. Thus, advertising pages do not figure into the counting of looks. Here are the parameters I am using to define a look in the manual recount of Glamour, Marie Claire and Harper's Bazaar numbers:
As you’ve probably heard, Barneys’ resident renaissance man Simon Doonan has designed a collection of affordable, hilarious Halloween costumes for 
Lippe Taylor is a full service public relations and digital marketing agency located in New York City focusing on the beauty, healthcare, and lifestyle industries and specializing in marketing to women. The beauty team is looking for interns three to five days a week from 9:00 a.m. to 6:00 p.m. but hours can be flexible based on class schedules. Position available immediately.
Name: Katrina
When thinking of artist/celebrity pairs to create a magazine cover, the duo of Britney Spears and 
When I 
Ask Anna: Opening Ceremony’s Humberto Leon interviewed Anna Wintour for the OC blog. We’d love to say it’s fabulous, but Anna’s formulaic responses leave much to be desired. {
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